Ghosts of Mississippi (1996)
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- Short title: Ghosts of Mississippi
- NetFlix Rating: 3.9/5
- Runtime: 130 minutes.
- MPAA Content Rating: PG-13
- Release Year: 1996
- Production: Warner Home Video
- Genre: Drama, Courtroom Dramas, African-American Dramas, Social Issue Dramas
Plot summary
In 1963, civil-rights activist Medgar Evers was shot to death by white supremacist Byron De La Beckwith (James Woods). He was captured, but after two trials ended in hung juries, De La Beckwith went free. Thirty years later, Assistant District Attorney Bobby DeLaughter (Alec Baldwin) reopened the case. Ghosts of Mississippi tells the true story of his struggle to bring De La Beckwith to justice.Posters and pictures
Reviews
White racist retried for murder of Medgar Evers. Hollywood histrionics.
Read the NYTimes review of Ghosts of Mississippi by Janet Maslin
Actors and Directors
Actors
Director
Awards and nominations
- Academy Awards (1997): Best Supporting Actor nominee
- Academy Awards (1997): Best Makeup nominee
- Golden Globe Awards (1997): Best Supporting Actor in a Motion Picture nominee
Amazon product info
- ASIN: B00002ND76
- Aspect ratio: 1.85:1
- Audience rating: PG-13 (Parental Guidance Suggest
- Binding: DVD
- DVD Type: 1 Layers (2 sides)
- DVD Region: 1
- Manufacturer: Turner Home Ent
- Publisher: Turner Home Ent
- Release date: 2000-01-18
Amazon Product Reviews
Editorial review
by Amazon.com
Rob Reiner, who used to be more interested in personal style as a filmmaker, continues to duck behind bland movies about important ideas with this based-on-fact film about the embattled white prosecutor (Alec Baldwin) who brought racist killer Byron De La Beckwith (James Woods) to justice after 30 years of failed attempts. Charged with the murder of civil rights leader Medgar Evers, Beckwith slimes up the film pretty well via Woods's somewhat showy performance, while Baldwin generously assumes the usual clichés surrounding reluctant heroes. Whoopi Goldberg is at her most stately as Evers's widow. The whole self-important production is dogged by the obvious thought that it might have played better (and to far more people than it did in theaters) on television. --Tom Keogh
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